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Ernst Bloch (1885–1977) is now recognized as a philosopher and cultural critic of the greatest importance, his subtle and profound developments of utopian Marxism as influential for the student New Left of the 1960s and 1970s as they were for the leftist movements of the twenties. Today, in the United States and Britain, his enormous body of work is attracting new generations of readers: more translations are appearing, and his utopian thought is finding a new resonance in many different contexts.
Several of the authors here address the centrality of a radically unconventional concept of utopia to Bloch’s thought; others write on the question of memory and pedagogical theory. There is a Blochian reading of crime fiction, illuminating overviews of Bloch’s work and an exploration of the stylistics of hope in Bloch’s Spuren, as well as a translation of excerpts from that extraordinary book.
The essays gathered here are intended, above all, to recommend Bloch’s work as a challenge to older models of historical materialism and utopian emancipation, and to give specific examples of how that work can contribute to current debates about utopia, nationalism and collective memory, the liberatory content of popular cultural forms, and the complex relationship between ideology and everyday life. Together they provide a timely introduction to one of the most untimely and inspiring thinkers of the twentieth century.
- Sales Rank: #2367610 in Books
- Brand: Brand: Verso
- Published on: 1997-07-17
- Released on: 1997-07-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, 1.05 pounds
- Binding: Paperback
- 246 pages
- Used Book in Good Condition
Review
“This is a book I have been waiting for for years ... Bloch speaks to the dilemmas of our time and is a thinker we very much need.”—Angelika Bammer, Associate Professor, The Graduate Institute of Liberal Arts, Emory University
“Not Yet brings together Bloch scholars of first rank and provides a coherent picture of a multi-faceted writer.”—Lyman Tower Sargent, Professor and Chair, Department of Political Science, University of Missouri-St Louis
“This pioneering work is an indispensable contribution to our understanding of utopia and memory at a time when the very notion of history is under siege.”—Richard Kearney, Professor of Philosophy, University College Dublin and Boston College
About the Author
Tom Moylan (Glucksman Professor and Director of the Ralahine Centre for Utopian Studies, University of Limerick) has published Demand the Impossible: Science Fiction and the Utopian Imagination; Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia; and is co-editor of Dark Horizons: Science Fiction and the Dystopian Imagination.
Most helpful customer reviews
9 of 9 people found the following review helpful.
enduring,enigmatic,blueprints for the Now and the Tommorrows
By A Customer
If Ernst Bloch was with us today he'd be quite honored that his work seems to have such a durable power,an edifice of ideologic thought where marketplace schemes of fashionable thinking refuse to erode it away. His utopian thought reminds me of the equally durable, enormous black-iron abstractions of sculptor Richard Serra. This is a great introduction to Bloch. As a musician myself I can only say that, I have always welcomed a formidable thinker whose thought includes the art of music within the spectrum of their thinking. Leonard Bernstein also was quite fascinated with Bloch,as well as composer Alexander Goehr. This is a comprehensive collection of essays dealing with Bloch's thought. Simultaneously it profiles and presents important questions at us reflecting Bloch's thought. One powerful idea of Bloch is his concept of temporality,that we all inhabit different times,and that our horizons are different,not ascending or progressing in a straight line irresprective if (on the surface) we seem to all desire identical objects and spiritual values . The essay on educator Paolo Freire, I found perhaps the most important, because it represents Bloch's work in the real world. Simply incessant interpretations of Marxist thought,which is what frequently occurs in thinkers such as Adorno,Benjamin,Lukacs is not what it is intended to be. Bloch's magnum opus "Das Prinzip Hoffnung" (Hope The Principle) is well traversed by editor Tom Moylan. In that work Bloch seized the whole of world culture to locate his concept of utopia as within the crevices of the various religions of the world,dime-novels of the Thirties,the symphony,rituals and dreams. Bloch has always had a special place within the spectrum of Marxist thinking continues to be true today. His thought represents for some the more dangerous aspects of Marx, the spiritual. How has this mainifested itself? has only been traversed simple-mindedly as in the search for "quasi-religious" icons of the Left, hammers and sickles,red flags,co! llectives,Bob Dylan songs,and portraits of revered leaders. Although Bloch supported the Soviet Union, the implications of his thought was light years away from that tyrannical cathechism of Georgian nationalism. The negative side of Bloch's thought was not an actively political one. In fact those who have been placed under the banner of Western Marxism as Adorno,Bloch,Lukacs,Colletti,and Benjamin were not political activist thinkers. Their thought rarely found a profound sequence of cause and effect,of consequences, as an appraisal of the correlation of power within the burdens of daily politics. That was the diluted side of their thought, And so with Bloch. His primary value was in his appraisal of the spirit,of the "Not Yet" within human existence within the dimensions of Marxism. His work today has relevance in that since we are in a process of redefining political involvement,in formulating issues, Bloch's work seems a profound source of thought as the world seems to becoming less predictable with globalization schemes.
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