Download Ebook Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett
This book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett is anticipated to be one of the most effective vendor book that will certainly make you feel completely satisfied to get and also review it for finished. As known can typical, every book will have specific points that will make someone interested a lot. Even it originates from the author, type, content, or even the publisher. However, lots of people likewise take the book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett based upon the theme and also title that make them impressed in. as well as here, this Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett is very recommended for you since it has appealing title as well as motif to read.
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett
Download Ebook Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett
Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett. Join with us to be member here. This is the website that will certainly provide you alleviate of looking book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett to check out. This is not as the other website; guides will certainly remain in the types of soft documents. What benefits of you to be member of this site? Get hundred compilations of book connect to download and get consistently upgraded book every day. As one of the books we will certainly provide to you currently is the Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett that comes with a quite completely satisfied principle.
Checking out habit will constantly lead individuals not to completely satisfied reading Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett, a publication, ten e-book, hundreds e-books, as well as much more. One that will make them feel satisfied is finishing reviewing this e-book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett as well as obtaining the notification of guides, then finding the other following e-book to read. It continues increasingly more. The moment to finish reviewing an e-book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett will be always numerous depending on spar time to spend; one example is this Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett
Now, just how do you recognize where to get this book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett Never ever mind, now you may not go to the book establishment under the brilliant sunlight or night to look the publication Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett We here constantly help you to discover hundreds type of book. One of them is this publication qualified Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett You could go to the link web page provided in this set and afterwards go for downloading and install. It will not take more times. Simply link to your web accessibility and also you can access the e-book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett online. Certainly, after downloading Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett, you could not publish it.
You can conserve the soft file of this book Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett It will depend on your extra time and also tasks to open and also review this publication Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett soft documents. So, you may not hesitate to bring this publication Collected Works: A Journal Of Jazz 1954-2001, By Whitney Balliett anywhere you go. Simply add this sot documents to your device or computer disk to permit you read every single time as well as anywhere you have time.
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest―and perhaps only original―musical form.
Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines―a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made.
Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting―a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"―and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."
- Sales Rank: #1391185 in Books
- Published on: 2002-04-15
- Released on: 2002-04-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x 2.03" w x 6.00" l,
- Binding: Paperback
- 880 pages
Review
“Balliett is one of those rare critics whose prose can be as much a work of art as what they write about.” ―The New York Times
“Studied, sparkling descriptions [that] bubble over with the qualities that make Mr. Balliett the most important chronicler of jazz ever--his ear for intense detail, his knack for rendering the mood of a performance, his love for the characters behind the music.” ―Dallas Morning News
“Balliett is the master mandarin stylist of all jazz critics, perhaps even of all critics . . . Savor this book for Balliett's elegant, even Ellingtonian-like verbal riffs filled with the sound of surprise.” ―The Hartford Courant
“This wonderful collection effortlessly teaches us the history of jazz and demonstrates again that Whitney Balliett is, like Updike and Nabokov, a miraculous writer, one who describes the indescribable.” ―William Whitworth, editor emeritus, The Atlantic Monthly
“Duke Ellington would say of a very few musicians that they were beyond category. Among those of us who write about jazz, so is Whitney Balliett.” ―Nat Hentoff
“Collected Works stands alongside Gary Giddins's similar book, Visions of Jazz: The First Century, as an invaluably cogent and forthright, self-assuredly individualistic history of jazz.” ―David Hajdu, The New York Review of Books
“Not only does Whitney Balliett know and love jazz, but he also possesses the poetic genius to champion it, riffing on language with all the fluency of the musicians whose praises he sings.” ―San Francisco Chronicle
“Whitney Balliett's words are magic. His descriptions of the music and musicians are very affecting and his love for jazz shines through with every elegant phrase.” ―Marian McPartland
“Balliett is a master of language.” ―Philip Larkin
“I am not really generous enough to tell you what I really think about how good you are. Let's say I'm flabbergasted. And that I think you are extremely important.” ―Harold Brodkey
About the Author
Whitney Balliett is jazz critic for The New Yorker. He is married to the painter Nancy Balliett. They live in New York City.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Unfortunate title to essential jazz journalism
By Bomojaz
Whitney Balliett is one of my favorite jazz writers (along with Dan Morgenstern and Ira Gitler), and I've enjoyed reading his pieces in The New Yorker since the 1960s. In the introduction to this book Balliett says he chose the title COLLECTED WORKS because "I like its ring"; that's a bit unfortunate because it gives the wrong impression. These are not his "collected works" but rather, as he again says in the introduction, "a distillation of many of the reviews and critical pieces that I have written about jazz." If you saved most of the original articles as I did, you would have a fairly decent sized pile of pieces that are not included here; perhaps even worse, you would notice that many of the articles appear in the book in truncated form (perhaps that's where the "distillation" comes in). One of the reasons I bought the book was because from its title and size (almost 900 pages) I thought I could take the Collected part literally, and I'd be able to free up some file cabinet space by discarding the original magazine articles. No way. I know this is a personal issue (mainly), but buyers should be aware of what they're getting (or not getting) here.
That being said, what you do get is absolutely worth having. Balliett knows the music as well as anyone and describes what he hears clearly and directly. He writes about the entire spectrum of jazz, from the earliest years of the music up into the avant-garde. Besides being deeply appreciative of the jazz masters (Armstrong, Morton, Ellington, Basie, Parker, Rollins, Coleman, to name just a handful) he writes about hundreds of musicians, good, bad, indifferent (but mainly good) who made it onto the jazz scene. He is particularly fond of good drummers (being a drummer himself). Reading The New Yorker you could be almost assured of getting Balliett's perspective on important jazz happenings in (particularly) the NYC area every couple of weeks or so. It was a wonderful steady diet of superb jazz journalism and criticism. It's great to have what's been included between book covers now, and hopefully what's missing gets published in book form some day, too. I really could use that file space.
2 of 4 people found the following review helpful.
A brilliant Jazz journalist
By Wagner F. Sacco
The man definitely has got style. His colorful articles on Jazz musicians can be considered literary works. Sometimes you feel his lack of musical background. But with such a charming style, who cares...
1 of 2 people found the following review helpful.
Balliett writes of one of the all-time great jazz singers
By Jeffrey Giles
In this collection of jazz criticism, Balliett writes of one of the all-time great jazz singers, Mildred Bailey, that she "rarely indulged in blue notes" and that "she was not emotional."
I admire Mildred Bailey precisely because of the bluesy and highly emotional quality of her singing, which has often brought tears to my eyes.
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett PDF
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett EPub
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett Doc
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett iBooks
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett rtf
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett Mobipocket
Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett Kindle
Tidak ada komentar:
Posting Komentar